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Callimachus II
  • Language: en
  • Pages: 336

Callimachus II

  • Categories: Art

"This volume contains a wide range of articles. It provides a survey of current developments in research on one of the most influential authors of Hellenistic poetry and reflects the large amount of scholarly interest in Callimachus during the last decade. In the papers there is a particular focus on issues of metapoetics, intertextuality, fictional orality, the impact of poetic collections and the function of Callimachus' poetry in Ptolemaic Alexandria as well as an interest in the reception of Callimachus' poetry among Roman poets."--BOOK JACKET.

Subsisters
  • Language: en
  • Pages: 185

Subsisters

  • Type: Book
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  • Published: 2017
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  • Publisher: Belladonna*

Poetry. Women's Studies. Essay. Translation Theory. Translated from the German by Sophie Seita. "This bi-floral or even tri-floral book of poems is for falselandy neighbouring nearspeakers who prefer to hold ear to phoneme to wit. Arranged according to the pleasures of a collaborative conversation between co-translating poets, sinuous between the structured palate and the muscular tongue, Subsisters coheres by means of a joyous principle of augmentation. Wolf and Seita have rendered authority moot; Value here is chosen conviviality. Lightness, charm and play clarify the discovery that all language is polylingual, all worth in shared joy only."--Lisa Robertson

The Fantasy Tradition in American Literature
  • Language: en
  • Pages: 232

The Fantasy Tradition in American Literature

Includes chapters on L. Frank Baum and Ursula Le Guin, with material on Washington Irving, Edgar Allan Poe, Herman Melville, Nathaniel Hawthorne, Edgar Rice Burroughs, James Branch Cabell, H. P. Lovecraft, Ray Bradbury, Edward Eager, and James Thurber, among others.

Strategies of Fantasy
  • Language: en
  • Pages: 184

Strategies of Fantasy

  • Type: Book
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  • Published: 1992-03-22
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  • Publisher: Unknown

In the early chapters, the author sorts out some of the confusion about the term fantasy, distinguishing the fantastic as a technique from fantasy as a popular formula and a literary genre. Looking back to the early reception of Tolkien's trend-setting epic fantasy, he points out how critical theory at the time was simply unable to account for either the strengths or the weaknesses of The Lord of the Rings. By contrast, critical methods developed for coping with postmodernist metafictions are shown to apply equally well to the genre of fantasy. Having worked primarily with older fantasies in his study of The Fantasy Tradition in American Literature, Attebery focuses here on important recent examples such as Gene Wolfe's Book of the New Sun, Suzette Haden Elgin's Ozark Trilogy, and John Crowley's Little, Big.

Sylloge Epigrammatum Graecorum
  • Language: en
  • Pages: 352

Sylloge Epigrammatum Graecorum

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Poems
  • Language: en

The Poems

Sappho was perhaps the originator of the personal poetry genre. She lived on Lesbos a hundred years before the rise of Athens to pre-eminence. Long after her death, Plato praised her work as that of the Tenth Muse. Later eras, especially the early Christian church, saw her work as abominable because she dealt openly with sex and with feelings, so that her work was almost totally obliterated. A few new pieces emerged in 1950. Many poets have undertaken to translate her work. Sasha Newborn's version is personable, not academic. A Teacher's edition, the Supplement Edition of Sappho (www.createspace.com/3683159), contains a wealth of critical comment and background information on Sappho, her poe...

P. Ovidii Nasonis Metamorphoseon Libri XV
  • Language: en

P. Ovidii Nasonis Metamorphoseon Libri XV

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Apostoloff
  • Language: en

Apostoloff

  • Type: Book
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  • Published: 2019-10-25
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  • Publisher: Unknown

"Gone, finito, The End, I say. A father who puts an end to it all before he wears down the whole family deserves more praise than damnation." Two sisters travel to Sofia--in a convoy of luxury limousines arranged by a fellow Bulgarian exile--to bury their less-than-beloved father. Like tourists, they are chauffeured by the ever-charming Ruben Apostoloff--one sister in the back seat, one in the passenger seat, one sharp-tongued and aggressive, the other polite and considerate. In a caustic voice, Apostoloff shows them the treasures of his beloved country: the peacock-eye pottery (which contains poisonous dye), the Black Sea coast (which is utterly destroyed), the architecture (a twentieth-century crime). His attempts to win them over seem doomed to fail, as the sisters' Bulgarian heritage is a heavy burden--their father, a successful doctor and melancholy immigrant, appears in their dreams still dragging the rope with which he hanged himself. An account of a daughter's bitterly funny reckoning with her father and his country, laden with linguistic wit and black humor, Apostoloff will introduce the unique voice of Sibylle Lewitscharoff to a new and eager audience.